HireaCameraOperator

    Book an experienced camera operator for day shoots, multi-cam interviews, events, and B-roll units. Owner-operator with a Sony FX6 package, available across the Pacific Northwest and West Coast.

    Day Rate Camera Operator

    Producers hire a camera operator when the creative direction is already set and they need someone who can be handed a shot list and deliver it cleanly. That is the role I fill most often on outside productions: operating A-cam or B-cam, framing to the director's intent, holding exposure and focus under pressure, and keeping the day moving. I arrive with a complete Sony FX6 package, so the booking covers both the operator and the camera department.

    Scope of Work

    What the Booking Covers

    A-Cam or B-Cam Operating

    Comfortable running lead camera on a single-cam commercial or slotting in as second unit alongside another operator. I match looks, log takes, and hand off media the way your post team wants it.

    Multi-Cam Interviews & Panels

    Two- and three-camera interview setups, conference stages, panels, and executive messaging. Matched color, matched framing, and timecode-friendly workflows.

    Handheld, Gimbal & Sticks

    Documentary handheld, controlled gimbal movement, or locked tripod work depending on what the scene needs. Run-and-gun coverage without losing the frame.

    Fast, Quiet, Client-Ready

    Used to shooting in live workplaces, hospitals, factory floors, and client-facing environments. Professional on set, calm around executives, and never the reason the schedule slips.

    Who Books This

    Typical Bookings

    Agencies bringing a director into a new marketProduction companies needing a local operatorCorporate comms teams shooting interviewsSecond-unit and B-roll daysConference, keynote, and event coveragePodcast and studio multi-cam sessions

    Equipment

    Owned & Operated Kit

    Camera, lighting, audio, and grip that travels with the booking, so there is no rental order to schedule and no surprise line items.

    Camera

    • Sony FX6 full-frame cinema camera, 4K S-Log3 / S-Cinetone
    • Sony A7S III as B-cam, gimbal, or crash cam
    • Prime and zoom coverage from wide to telephoto, including Thypoch Simera-C 35mm T1.5
    • Monitors, matte box, filtration, V-mount power, and media

    Lighting

    • 3 x Aputure 300d for key and fill
    • 2 x Aputure 120d for accents, backlight, and practical support
    • Softboxes, lanterns, umbrellas, and diffusion
    • Flags, floppies, C-stands, and full grip

    Audio & Support

    • Shotgun, lavalier, and wireless kits
    • Fluid-head tripods, sliders, and a professional gimbal rig
    • Sandbags, stingers, and expendables

    Questions

    Booking FAQs

    Do you travel for camera operator work?

    Yes. Home base is Spokane, Washington, with regular work through Seattle, Portland, Boise, Coeur d'Alene, Missoula, and down the West Coast. Travel days and per diem are standard on out-of-market bookings.

    Can I book you as an operator only, without gear?

    Yes. If the production is already carrying a camera package, I can operate on your body. Most clients prefer the bundled option because it removes a rental house from the schedule.

    How far in advance should I book?

    Two to three weeks is comfortable for a standard day. Short-notice and next-day bookings are often possible, so it is always worth asking.

    Other Positions

    Also Available

    Have a shoot date?

    Send dates, location, and what the day looks like to andrew@peakvisuals.co. I come back with availability and a quote within one business day.

    Check Availability